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Upcoming Exhibition

Heather B. Swann: Leda and the Swan

Heather B. Swann: Leda and the Swan is an exhibition of new sculptures and paintings by Canberra-based contemporary artist Heather B. Swann, who is renowned for her large-scale, meticulously crafted and highly expressive sculptural forms.

Swann’s new installation at TarraWarra Museum of Art is an immersive, experiential work, woven out of her own contemporary reading of the myth of Leda and the Swan and emerging from artist residencies in Rome and Athens. The artist’s close study of Graeco-Roman antiquities and emulation of the forms of classical figurative sculpture is embodied in her use of fragmentation, repetition and mismatched scale.

Taking its name from the story of Leda and the Swan, the work invites audiences to explore the actions, emotions and social-moral codes of this ancient, ambiguous and chilling narrative. At the same time, the work recognises and salutes the historical achievement (and presence in the adjacent gallery spaces) of Sidney Nolan, Australia’s great modernist myth-maker.

BACK TO UPCOMING EXHIBITION

Upcoming Exhibition

Heather B. Swann: Leda and the Swan

20 November 2021 - 14 March 2022

Curated by: Anthony Fitzpatrick

Heather B. Swann: Leda and the Swan is an exhibition of new sculptures and paintings by Canberra-based contemporary artist Heather B. Swann, who is renowned for her large-scale, meticulously crafted and highly expressive sculptural forms.

Swann’s new installation at TarraWarra Museum of Art is an immersive, experiential work, woven out of her own contemporary reading of the myth of Leda and the Swan and emerging from artist residencies in Rome and Athens. The artist’s close study of Graeco-Roman antiquities and emulation of the forms of classical figurative sculpture is embodied in her use of fragmentation, repetition and mismatched scale.

Taking its name from the story of Leda and the Swan, the work invites audiences to explore the actions, emotions and social-moral codes of this ancient, ambiguous and chilling narrative. At the same time, the work recognises and salutes the historical achievement (and presence in the adjacent gallery spaces) of Sidney Nolan, Australia’s great modernist myth-maker.