Clement Meadmore furniture Clement Meadmore furniture

Clement Meadmore
Pendant Light for the T House 1956
Three-legged Dining Table 1955
Three-legged Plywood Chair 1955
Harris/Atkins Collection

 

The Industrial Design of Clement Meadmore: The Harris/Atkins Collection

Now Showing
Closes 14 July 2024
Curated by Anthony Fitzpatrick

Widely regarded as one of Australia’s most important sculptors of the twentieth century, Clement Meadmore is also acknowledged as a significant and pioneering figure within the history of Australian modernist design.

Featuring an extensive group of individual pieces from the 1950s and early 1960s, this exhibition highlights Meadmore’s highly distinctive approach to industrial design and his remarkable ability to manipulate the most basic, readily available materials—steel rod, cotton cord, glass, sheet metal, canvas and thin plywood—into functional, innovative and durable objects.

At a time when artists, architects and designers were determined to forge a new identity in post-war Australia, Meadmore’s elegant and inventive designs were highly influential, becoming an integral part of the contemporary homes designed by leading architects such as Robin Boyd, Neil Clerehan and Peter McIntyre.

Meticulously assembled by the artists Peter Atkins and Dana Harris over the past twenty-five years, this exemplary collection of Meadmore’s iconic chairs, tables and lighting is the most comprehensive collection of his industrial design in public or private hands. Presented for the first time in its entirety, the Harris/Atkins Collection provides a unique opportunity to survey the breadth and depth of Meadmore’s singular design language.

The Industrial Design of Clement Meadmore: The Harris/Atkins Collectionis presented in conversation withSUPERsystems, a joint exhibition of new work by Melbourne-based artists Peter Atkins and Dana Harris who, like Meadmore, are inspired by early Bauhaus and De Stijl principles.  Also on display is Systems and Structuresfeaturing a selection of works from the TarraWarra Museum of Art collection by Australian artists who, like Atkins and Harris, employ patterns, geometry, modules and repetition in their creative practices.

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Further information

The Industrial Design of Clement Meadmore: The Harris/Atkins Collection, installation view, TarraWarra Museum of Art, 2024

 

Rosalie Gascoigne, Club Colours 1983

TarraWarra Museum of Art collection

Gift of Eva Besen AO and Marc Besen AO.

Donated through the Australian Government’s Cultural Gifts Program 2009

© Estate of Rosalie Gascoigne

 

Clement Meadmore, Leather Chair 1953

Harris/Atkins Collection

 

Robert Jacks, Red Painting 1968

TarraWarra Museum of Art collection

Gift of Eva Besen and Marc Besen AO 2001

 

Clement Meadmore, Rainbow Box c. 1970

Harris/Atkins Collection

 

Clement Meadmore, Reverse Cantilever Chair 1954

Harris/Atkins Collection

 

Hilarie Mais, Bay 2001

TarraWarra Museum of Art collection

Gift of Eva Besen AO and Marc Besen AO.

Donated through the Australian Government’s Cultural Gifts Program 2012

© Hilarie Mais

 

Robert Owen, Soundings (Composition #4, #8, #16) 2012

TarraWarra Museum of Art collection

Purchased 2013

Courtesy of the artist and ARC ONE Gallery

 

Lesley Dumbrell, Terreau 2008

TarraWarra Museum of Art collection

Purchased 2008

Courtesy of the artist and Charles Nodrum Gallery

 

Peter Atkins, Dr. No (after Maurice Binder) 2020–23

Courtesy of the artist, Tolarno Galleries, Melbourne and GAGprojects, Adelaide

 

Mark Galea

Lamp, willow, life and death 2007

Titanium, unbleached with parchment and mica 2007

TarraWarra Museum of Art collection

Purchased 2007

 

Dana Harris, fancywork 2020–23

Courtesy of the artist

 

Callum Morton, Corner 2 2022–23

TarraWarra Museum of Art collection

Purchased 2023

© Callum Morton

 

John Nixon

Polychrome Painting 2006

Polychrome Painting 2006

Purchased 2007

 

Clement Meadmore, Calyx Pendant Light 1954

Harris/Atkins Collection

 

Howard Arkley, Pauses (Interchronic) 1976

TarraWarra Museum of Art collection

Purchased 2016

© The Estate of Howard Arkley. Courtesy Kalli Rolfe Contemporary Art

 

Robert Hunter, Untitled No. 1 1987

TarraWarra Museum of Art collection

Gift of Eva Besen and Marc Besen AO 2001

© J.L.S Hunter

 

Hilarie Mais, reflection/feather 2016  

TarraWarra Museum of Art collection

Purchased 2017

© Hilarie Mais

 

Video: Non Studios https://www.instagram.com/_nonstudio/

 

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